Throughout an ever-shifting body of work, David Maljković returns to “the question of form,” asking how considerations of form itself might illuminate the ebb and flow of ideologies, for example, or the overlaying of past, present, and future. While embracing a wide range of media—including photography, painting, video, sculpture, and various hybrids—the Croatian artist has developed distinctive methods of incorporating, and refiguring, his own earlier works in new installations.
In the wake of major exhibitions of his work in Europe in recent years, for his solo exhibition at the Renaissance Society in 2019,Maljković turned away from the impulses of a survey show—namely, to gather an artist’s output, map the territory, and convey that understanding.
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