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This publication brings together a wide range of elements that define Diego Marcon’s practice. It links four films, including Krapfen, which was co-commissioned by Fondazione Sandretto Re Rebaudengo, Lafayette Anticipations, New Museum, the Renaissance Society, and The Vega Foundation, and premiered at the Renaissance Society, with a series of visual documents from their production: props, costumes, set fragments, objects used in filming, as well as preparatory drawings, working images, models, and technical plans. These elements, usually relegated to behind the scenes, appear here as works in their own right, revealing the almost obsessive precision with which Marcon constructs his worlds. The book thus offers a broader interpretation of his work, where cinema, sculpture, installation, and scenography are inseparable.
The book functions simultaneously as an archive, a working tool, and a standalone object, allowing readers to delve into the internal logic of Diego Marcon’s practice and the concrete materiality of his films.
Related exhibition: Diego Marcon, Krapfen, 2025